Showing posts with label Clint Eastwood's chair. Show all posts
Showing posts with label Clint Eastwood's chair. Show all posts

Sunday, September 2, 2012

Empty Chair Day

The good professor at Legal Insurrection, noting that a reader alerted him that there seemed to be an effort underway to make Monday Empty Chair Day, is asking everyone to send him your “empty chair” photos and he would run them.

This is my submission.  Play Clinty For Me.


Can You See It Now?

On the final evening of the Republican National Convention in Tampa, during the 10 o’clock hour, Clint Eastwood took the stage.  There with him was an empty chair. 

With his hair disheveled and his voice halting, he spoke of the hope this president promised.  He turned to the empty chair and theatrically had a conversation with it.

Many of my brethren in the dextrosphere felt Eastwood behaved like a “crazy old uncle” or that he appeared to be rambling and incoherent.  Some even said they found his Q & A with the invisible president “painful to watch.”

One blogger wrote, “What followed was a rambling, bizaree (sic), disjointed, jarring, seemingly off-the-cuff performance. It was almost like the ghost of Bob Dole had appeared.”

One commenter added, “This was embarrassing.  It killed the energy of the party and the people looked puzzled at times who witnessed it, and I felt they felt they needed to applaud but weren't sure when. I felt sorry for Clint Eastwood.”

Please do not mistake what I am saying here.  I am not being critical of that blogger or anyone else who shared his thoughts on the performance; on the contrary.  I merely seek to have those who share that insight view that seminal moment in a different light.

The empty chair was the Right’s Rule 5 taken directly from Saul Alinsky’s Rules for Radicals.  Eastwood’s roughest mockery of this regime has the Left seething over it to the point of being irrational.

If you are not familiar with Rule 5, it states, "Ridicule is man's most potent weapon. It is almost impossible to counteract ridicule. Also it infuriates the opposition, which then reacts to your advantage."

The single most vital point to remember when conservatives attempt to utilize Rule 5 is to never use it in anger.  For ridicule to be effective it has to be done calmly and usually with a sense of humor. His searing scorn was even-tempered and light-hearted.  It drew blood.

If you want to understand the role that ridicule plays in the Alinsky method, and particularly in the way in which the Obama Administration uses Alinsky, you need look no further than Sarah Palin. From the moment that she was introduced as John McCain’s running mate, the Alinsky machine within Obama’s campaign flew into action at full speed to find ways to mock, denigrate, and ridicule her. Obama’s campaign dispatched a slew of vultures to descend on Alaska in an effort to dig dirt, stir trouble, and uncover any malcontent who might have the tiniest bit of salacious information on the Governor.

“The messages and tactics of Alinsky, long the monopoly of the Left, have been discovered by the Right,” writes J. Christian Adams.
“After Eastwood obliterated Obama and reminded everyone of the lost hope of 2008, Romney’s positive vision gave Americans something that has been lacking for three years—a constructive, positive alternative vision for America. The vision reminds people of an age before Obama, when the entire nation watched Neil Armstrong step foot on the moon.  Pride and confidence are the alternative to diminishment and fear.”
[snip] 
"In 2012, the Romney campaign recognizes what it is up against, and last night made it clear they know how to fight."
And so I’ll ask you, can you see it now?


Friday, August 31, 2012

Eastwood's Chair VS Obama's Chair

I don’t care what the Left, whose hair is on fire right now, says about Clint Eastwood’s Q & A with an invisible POTUS last night at the RNC Convention.  I don’t care.

This thin-skinned, crybaby of a president has Clint Eastwood in his head.  All the evidence anyone needs is that the errand boy sent by grocery clerks responded on Facebook and Twitter saying, “This seat’s taken.”

What’s puzzling about Eastwood’s empty chair is why Obama felt he had to respond to the whimsical superstar?  The only answer is he feels threatened.  What we see is an actor’s roughest mockery of a politician and the politician lacking the discipline to let it go.

The Left is struggling to end the conversation about “You didn’t build that.”  They are powerless.  “This seat’s taken” was a petulant response and is definitely not going to be the last word.

The man on the stage, Eastwood and his chair, directed the 35,000-plus at the Tampa Bay Times Arena to reply to the famous Dirty Harry line, “Make my day.”  That made Eastwood the winner and Obama the whiner. 

Eastwood reminded conventioneers and viewers, “I would just like to say something, ladies and gentlemen.  Something that I think is very important. It is that, you, we own this country.  We, we own it.  It is not you (looking down at the empty chair) owning it and not politicians owning it.  Politicians are employees of ours.  And, so they are just going to come around and beg for votes every few years.  It is the same old deal.  But I just think it is important that you realize that you’re the best in the world.  Whether you are a Democrat or Republican or whether you’re a Libertarian or whatever, you are the best.  And we should not ever forget that.  And when somebody does not do the job, we’ve got to let them go.”